By Brent Robillard In what seems like another lifetime, I used to build guitars. Solid-body and semi-hollow electrics, mostly, made from maple, mahogany, sapele, walnut and ash, with fretboards of rosewood or morado. Carved tops were my favourite. There is something almost hypnotic about revealing the flowing grain of swamp ash or fanning the flame across a book-matched piece of maple. You sand it smooth, … Continue reading A Place to Rest: Form & Grain Timestand M Review